Sunday, December 4, 2011
Book Project
Wow, last project of the class already; hard to believe! My book for the project was made with my nephews in mind: as always, head to the DMF1 projects tab to view. Time sure does fly.
Sunday, November 13, 2011
Saturday, November 5, 2011
Sunday, October 30, 2011
Sunday, October 23, 2011
2nd and 3rd Erasures
As with all of my DMF1 projects, go to the "BLAHjects" tab on the home page to view them along with the descriptions/response.
2nd
Original
Erased
Original
Erased
Wednesday, October 19, 2011
Sunday, October 16, 2011
Reflection on Scratch Composition Assignment
Working with flat color was fun and challenging—in the best
of ways. The absence of continuous color directs the viewer’s focus to the
simple outline of an object, and working within the “confines” of that
simplicity is wonderful. Simply wonderful. I like the idea of taking a step
back and focusing on simple shapes and colors to convey a message. With the
recent increase in the accessibility of cameras that shoot in HD and deliver
photos bursting with colors and detail, we have found ourselves bombarded with
loud and complex photography; thus this assignment was refreshing for me.
All of my Scratch compositions were created with the
intention of illustrating a scene that correlates to a memory of mine from or
an idea of Ashland. In “The Guardian” I wanted to convey a large and colorful,
yet slightly obscure being that sat up in the hills and watched over the town.
Eventually I settled on a large bird that sat on Mt. Ashland and watched over
the migrating birds. Working with simple shapes such as ovals and triangles, it
was simple and effective to portray such a bird.
I employed simple shapes again in “Snow Angels” to set the
scene with a snowy wonderland filled with sparse and simple trees. The stars in
the night sky were made using only two triangles of varying scale. The “angels”
were the most involved of anything in that composition—the wings took numerous
vectors to create the look I was going for.
The final composition, of a full moon, is again set in
Ashland but features a central and prominent full moon of pure white set
against the black silhouettes of simple trees and mountains. I made this
composition and later used it as a poster to advertise a full-moon bicycle ride
around Ashland the same night. While this intention influenced my process, the
simple colors and shapes allowed me to create an impactful and effective “poster”
that garnered a decent amount of positive feedback.
I choose the colors that I used first to accurately represent
the real-world thing that they were coloring, and second to (hopefully) work
well with the surrounding color. Both of the first compositions were more
realistic than stylized, though I put more thought into trying to use the same “family”
of color in the third. Oranges and whites were used a plenty, with black being
featured quite well, too. I thought that the small white bike wheels paralleled
the large white moon well.
Subscribe to:
Posts (Atom)